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	<title>Comments for Copyright and Technology</title>
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	<link>http://copyrightandtechnology.com</link>
	<description>News and analysis about the market for rights technologies.</description>
	<lastBuildDate>Tue, 21 Feb 2012 18:44:07 +0000</lastBuildDate>
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		<title>Comment on Patry on Copyright Repair by Dawn</title>
		<link>http://copyrightandtechnology.com/2012/02/12/patry-on-copyright-repair/#comment-2886</link>
		<dc:creator><![CDATA[Dawn]]></dc:creator>
		<pubDate>Tue, 21 Feb 2012 18:44:07 +0000</pubDate>
		<guid isPermaLink="false">http://copyrightandtechnology.com/?p=2420#comment-2886</guid>
		<description><![CDATA[Does anyone have a good discussion of what changes to current law might provide individual content creators with a larger share of the benefits?]]></description>
		<content:encoded><![CDATA[<p>Does anyone have a good discussion of what changes to current law might provide individual content creators with a larger share of the benefits?</p>
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		<title>Comment on IFPI Claims Success of Progressive Reponse in Curbing Infringement by Yolanda</title>
		<link>http://copyrightandtechnology.com/2012/01/30/ifpi-claims-success-of-progressive-reponse-in-curbing-infringement/#comment-2851</link>
		<dc:creator><![CDATA[Yolanda]]></dc:creator>
		<pubDate>Fri, 10 Feb 2012 20:55:44 +0000</pubDate>
		<guid isPermaLink="false">http://copyrightandtechnology.com/?p=2388#comment-2851</guid>
		<description><![CDATA[the dircefenfe between unauthorized and illegal is neglible.  copying is depriving a sale for the artist or the creator.  just because the method is one step removed doesn&#8217;t deny that fact.]]></description>
		<content:encoded><![CDATA[<p>the dircefenfe between unauthorized and illegal is neglible.  copying is depriving a sale for the artist or the creator.  just because the method is one step removed doesn&#8217;t deny that fact.</p>
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		<title>Comment on La Rentree Americaine by Harriette</title>
		<link>http://copyrightandtechnology.com/2009/09/08/la-rentree-americaine/#comment-2850</link>
		<dc:creator><![CDATA[Harriette]]></dc:creator>
		<pubDate>Fri, 10 Feb 2012 20:18:25 +0000</pubDate>
		<guid isPermaLink="false">http://copyrightandtechnology.com/?p=339#comment-2850</guid>
		<description><![CDATA[Mckill3r dit&#160;:Tu à pris une trés bonne décision en le rdnaent non commerciable, si tu voit qu&#8217;il a beaucoup de succés ce qui risque d&#8217;étre le cas tu pense pourvoir faire une version payant libre au commerce ?]]></description>
		<content:encoded><![CDATA[<p>Mckill3r dit&nbsp;:Tu à pris une trés bonne décision en le rdnaent non commerciable, si tu voit qu&#8217;il a beaucoup de succés ce qui risque d&#8217;étre le cas tu pense pourvoir faire une version payant libre au commerce ?</p>
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		<title>Comment on Creative Commons for Music: What&#8217;s the Point? by Productiontrax.com Blog &#187; Production Music and Creative Commons</title>
		<link>http://copyrightandtechnology.com/2012/01/22/creative-commons-for-music-whats-the-point/#comment-2798</link>
		<dc:creator><![CDATA[Productiontrax.com Blog &#187; Production Music and Creative Commons]]></dc:creator>
		<pubDate>Wed, 01 Feb 2012 06:17:37 +0000</pubDate>
		<guid isPermaLink="false">http://copyrightandtechnology.com/?p=2350#comment-2798</guid>
		<description><![CDATA[[...] Here&#8217;s the full story. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Here&#8217;s the full story. [...]</p>
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		<title>Comment on Creative Commons for Music: What&#8217;s the Point? by Dave, Founder of Productiontrax.com - Royalty Free Music</title>
		<link>http://copyrightandtechnology.com/2012/01/22/creative-commons-for-music-whats-the-point/#comment-2797</link>
		<dc:creator><![CDATA[Dave, Founder of Productiontrax.com - Royalty Free Music]]></dc:creator>
		<pubDate>Wed, 01 Feb 2012 06:06:31 +0000</pubDate>
		<guid isPermaLink="false">http://copyrightandtechnology.com/?p=2350#comment-2797</guid>
		<description><![CDATA[Interesting discussion here.  We deliberately chose against using Creative Commons when developing Productiontrax.com because of just this.  With no enforcement mechanism, it really is just like a garment-care label.  With licenses specifically developed for our artists and end-users, we are able to provide better legal protections for all parties involved and actually police usage to a point than we&#039;d be able to with CC.]]></description>
		<content:encoded><![CDATA[<p>Interesting discussion here.  We deliberately chose against using Creative Commons when developing Productiontrax.com because of just this.  With no enforcement mechanism, it really is just like a garment-care label.  With licenses specifically developed for our artists and end-users, we are able to provide better legal protections for all parties involved and actually police usage to a point than we&#8217;d be able to with CC.</p>
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		<title>Comment on IFPI Claims Success of Progressive Reponse in Curbing Infringement by Bill Rosenblatt</title>
		<link>http://copyrightandtechnology.com/2012/01/30/ifpi-claims-success-of-progressive-reponse-in-curbing-infringement/#comment-2788</link>
		<dc:creator><![CDATA[Bill Rosenblatt]]></dc:creator>
		<pubDate>Tue, 31 Jan 2012 01:29:01 +0000</pubDate>
		<guid isPermaLink="false">http://copyrightandtechnology.com/?p=2388#comment-2788</guid>
		<description><![CDATA[Hi Jean-Henry,

Excuse me but I think you are seriously overreacting here.  

First of all, the study reviewed in the Le Monde article is the academic study that &lt;em&gt;claimed&lt;/em&gt; (my choice of words) to show correlation between increased music sales and implementation of Hadopi, not the actual IFPI/Nielsen study of the decrease in file-sharing after Hadopi implementation.  

Secondly, we all know how easy it is to discredit these kinds of academic economic studies.  All this Le Monde article says is: &quot;Faut-il pour autant nier un &#039;impact pédagogique&#039; lié à la mise en place de la Hadopi? L&#039;effet existe indéniablement, mais il est en revanche extrêmement difficile de le quantifier.&quot;  Or if you will permit me a most likely poor translation: &quot;Should the &#039;educational impact&#039; of Hadopi implementation be denied?  The effect undeniably exists, but however it is extremely difficult to quantify.&quot;  I agree with this; even more difficult to quantify any correlation between reduced infringement and increased sales, however much an organization like IFPI would like to.

Before I wrote this article, I searched the &quot;usual suspects&quot; to see if anyone had debunked the central statistic here, which is the 26% reduction in file-sharing.  No one would touch it; the closest I found was a piece of under-researched snark in The Register (UK) that simply raised the point that &quot;the pirates will just go elsewhere.&quot;  In fact, the 26% was so under-reported among the techblogorati that I concluded it is probably a solid fact.

Measuring P2P file-sharing traffic is actually straightforward and fact-based; it is a far cry from the bogus &quot;studies&quot; that we get from trade associations on both sides of this issue about effects on the GDP and so on; moreover, Nielsen measures this kind of thing routinely.  I think that IFPI deserves credit for trying to measure what&#039;s measurable and reporting the facts.]]></description>
		<content:encoded><![CDATA[<p>Hi Jean-Henry,</p>
<p>Excuse me but I think you are seriously overreacting here.  </p>
<p>First of all, the study reviewed in the Le Monde article is the academic study that <em>claimed</em> (my choice of words) to show correlation between increased music sales and implementation of Hadopi, not the actual IFPI/Nielsen study of the decrease in file-sharing after Hadopi implementation.  </p>
<p>Secondly, we all know how easy it is to discredit these kinds of academic economic studies.  All this Le Monde article says is: &#8220;Faut-il pour autant nier un &#8216;impact pédagogique&#8217; lié à la mise en place de la Hadopi? L&#8217;effet existe indéniablement, mais il est en revanche extrêmement difficile de le quantifier.&#8221;  Or if you will permit me a most likely poor translation: &#8220;Should the &#8216;educational impact&#8217; of Hadopi implementation be denied?  The effect undeniably exists, but however it is extremely difficult to quantify.&#8221;  I agree with this; even more difficult to quantify any correlation between reduced infringement and increased sales, however much an organization like IFPI would like to.</p>
<p>Before I wrote this article, I searched the &#8220;usual suspects&#8221; to see if anyone had debunked the central statistic here, which is the 26% reduction in file-sharing.  No one would touch it; the closest I found was a piece of under-researched snark in The Register (UK) that simply raised the point that &#8220;the pirates will just go elsewhere.&#8221;  In fact, the 26% was so under-reported among the techblogorati that I concluded it is probably a solid fact.</p>
<p>Measuring P2P file-sharing traffic is actually straightforward and fact-based; it is a far cry from the bogus &#8220;studies&#8221; that we get from trade associations on both sides of this issue about effects on the GDP and so on; moreover, Nielsen measures this kind of thing routinely.  I think that IFPI deserves credit for trying to measure what&#8217;s measurable and reporting the facts.</p>
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		<title>Comment on IFPI Claims Success of Progressive Reponse in Curbing Infringement by Jean-Henry Morin</title>
		<link>http://copyrightandtechnology.com/2012/01/30/ifpi-claims-success-of-progressive-reponse-in-curbing-infringement/#comment-2780</link>
		<dc:creator><![CDATA[Jean-Henry Morin]]></dc:creator>
		<pubDate>Mon, 30 Jan 2012 22:08:07 +0000</pubDate>
		<guid isPermaLink="false">http://copyrightandtechnology.com/?p=2388#comment-2780</guid>
		<description><![CDATA[Let&#039;s face it, this group (IFPI) among others, is desperatly trying to convince ... well nobody actually! They&#039;re fooling themselves and a few likeminded who still believe they might get away with their (more of less secret SOPA / PIPA / ACTA) plans to invade privacy and the the homes of ordinary people who only ask for a reasonable user experience for what they pay for.
I strongly suggest to have a look at the following LeMonde.fr article (in particular the second graph -Google translate the article to get an idea, it&#039;s in French). They reconstructed the graphs not using &quot;Hadopi&quot; as the search but &quot;iPhone&quot; showing iTunes purchase peaks can be correlated with new releases of iPhone and holiday seasons.

http://www.lemonde.fr/technologies/article/2012/01/24/hadopi-source-de-la-croissance-d-itunes_1633919_651865.html?utm_source=twitterfeed&amp;utm_medium=twitter

How much more time will this industry fight the un-fightable (digital evolution) and finally embrace it as a true opportunity, making the users part of the solution rather than the problem ?

At the end of the day, the only down to earth, reasonable conclusion one might draw is : given the right business model (i.e., availability of legal, hassle free, enjoyable, affordable alternatives), revenues go up. And that&#039;s about it !]]></description>
		<content:encoded><![CDATA[<p>Let&#8217;s face it, this group (IFPI) among others, is desperatly trying to convince &#8230; well nobody actually! They&#8217;re fooling themselves and a few likeminded who still believe they might get away with their (more of less secret SOPA / PIPA / ACTA) plans to invade privacy and the the homes of ordinary people who only ask for a reasonable user experience for what they pay for.<br />
I strongly suggest to have a look at the following LeMonde.fr article (in particular the second graph -Google translate the article to get an idea, it&#8217;s in French). They reconstructed the graphs not using &#8220;Hadopi&#8221; as the search but &#8220;iPhone&#8221; showing iTunes purchase peaks can be correlated with new releases of iPhone and holiday seasons.</p>
<p><a href="http://www.lemonde.fr/technologies/article/2012/01/24/hadopi-source-de-la-croissance-d-itunes_1633919_651865.html?utm_source=twitterfeed&#038;utm_medium=twitter" rel="nofollow">http://www.lemonde.fr/technologies/article/2012/01/24/hadopi-source-de-la-croissance-d-itunes_1633919_651865.html?utm_source=twitterfeed&#038;utm_medium=twitter</a></p>
<p>How much more time will this industry fight the un-fightable (digital evolution) and finally embrace it as a true opportunity, making the users part of the solution rather than the problem ?</p>
<p>At the end of the day, the only down to earth, reasonable conclusion one might draw is : given the right business model (i.e., availability of legal, hassle free, enjoyable, affordable alternatives), revenues go up. And that&#8217;s about it !</p>
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		<title>Comment on Creative Commons for Music: What&#8217;s the Point? by Paul Keating</title>
		<link>http://copyrightandtechnology.com/2012/01/22/creative-commons-for-music-whats-the-point/#comment-2772</link>
		<dc:creator><![CDATA[Paul Keating]]></dc:creator>
		<pubDate>Sun, 29 Jan 2012 12:03:21 +0000</pubDate>
		<guid isPermaLink="false">http://copyrightandtechnology.com/?p=2350#comment-2772</guid>
		<description><![CDATA[Bill,

Sorry for not understanding but I don&#039;t understand.  There are no &quot;technical&quot; means of enforcement in copyright.  There are laws and if you infringe there are lawsuits with courts that impose remedies.  The remedies have max/min levels.  Injunctive relief is a statutory remedy existing outside of the Copyright Act.  I repeat that the CC license is a waiver.  There is no enforcement mechanism for a waiver as it is a defense raised in an infringement action.

If what you mean is that there is no one out there policing whether the CC license is being properly complied with, then no - but then this would be the case if a more &quot;formal&quot; license were used.  And, the concept of waiver is completely at odds with the shotgun approach taken by Hollywood.  They would never have a waiver concept and would require everyone to license material for each occasion - an extremely inefficient model particularly when dealing with a content creator who wants to run along the lines of the CC license with the primary motivation of getting known.]]></description>
		<content:encoded><![CDATA[<p>Bill,</p>
<p>Sorry for not understanding but I don&#8217;t understand.  There are no &#8220;technical&#8221; means of enforcement in copyright.  There are laws and if you infringe there are lawsuits with courts that impose remedies.  The remedies have max/min levels.  Injunctive relief is a statutory remedy existing outside of the Copyright Act.  I repeat that the CC license is a waiver.  There is no enforcement mechanism for a waiver as it is a defense raised in an infringement action.</p>
<p>If what you mean is that there is no one out there policing whether the CC license is being properly complied with, then no &#8211; but then this would be the case if a more &#8220;formal&#8221; license were used.  And, the concept of waiver is completely at odds with the shotgun approach taken by Hollywood.  They would never have a waiver concept and would require everyone to license material for each occasion &#8211; an extremely inefficient model particularly when dealing with a content creator who wants to run along the lines of the CC license with the primary motivation of getting known.</p>
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		<title>Comment on Creative Commons for Music: What&#8217;s the Point? by Bill Rosenblatt</title>
		<link>http://copyrightandtechnology.com/2012/01/22/creative-commons-for-music-whats-the-point/#comment-2765</link>
		<dc:creator><![CDATA[Bill Rosenblatt]]></dc:creator>
		<pubDate>Sat, 28 Jan 2012 22:58:19 +0000</pubDate>
		<guid isPermaLink="false">http://copyrightandtechnology.com/?p=2350#comment-2765</guid>
		<description><![CDATA[Paul,

I repeat my assertion that you don&#039;t understand what I am arguing.  The &quot;system&quot; I am talking about technical measures for enforcing rights, not legal ones.  

- bill.]]></description>
		<content:encoded><![CDATA[<p>Paul,</p>
<p>I repeat my assertion that you don&#8217;t understand what I am arguing.  The &#8220;system&#8221; I am talking about technical measures for enforcing rights, not legal ones.  </p>
<p>- bill.</p>
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		<title>Comment on Creative Commons for Music: What&#8217;s the Point? by Paul Keating</title>
		<link>http://copyrightandtechnology.com/2012/01/22/creative-commons-for-music-whats-the-point/#comment-2764</link>
		<dc:creator><![CDATA[Paul Keating]]></dc:creator>
		<pubDate>Sat, 28 Jan 2012 21:59:26 +0000</pubDate>
		<guid isPermaLink="false">http://copyrightandtechnology.com/?p=2350#comment-2764</guid>
		<description><![CDATA[Bill,

With all respect I think you are digging yourself a hole.  You say: &quot;I&#039;m going to try to state this as simply as I can: it hardly matters what any of these licenses say; without tools other than the legal system to enforce them, they are effectively worthless anyway&quot; but then you seem to compare CC licenses with some other form of &quot;system&quot; (whether other form of license agreement or whatever).  

However, my point remains:  The CC license system is nothing but a waiver of the rights otherwise provided for under the Copyright Act.  Enforcement is not an issue as that is taken care of, to the extent not specified in the CC license, by the Copyright Act as to those areas of use not expressly waived.

I really don&#039;t see the basis for the complaint here.  the CC license is best seen as a waiver - not an affirmative license - and thus needs no enforcement mechanism.]]></description>
		<content:encoded><![CDATA[<p>Bill,</p>
<p>With all respect I think you are digging yourself a hole.  You say: &#8220;I&#8217;m going to try to state this as simply as I can: it hardly matters what any of these licenses say; without tools other than the legal system to enforce them, they are effectively worthless anyway&#8221; but then you seem to compare CC licenses with some other form of &#8220;system&#8221; (whether other form of license agreement or whatever).  </p>
<p>However, my point remains:  The CC license system is nothing but a waiver of the rights otherwise provided for under the Copyright Act.  Enforcement is not an issue as that is taken care of, to the extent not specified in the CC license, by the Copyright Act as to those areas of use not expressly waived.</p>
<p>I really don&#8217;t see the basis for the complaint here.  the CC license is best seen as a waiver &#8211; not an affirmative license &#8211; and thus needs no enforcement mechanism.</p>
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