Author Archives: Bill Rosenblatt

Spotify Brings Music into Podcasts

(This is my first article in a while; I have been working on a larger-scale writing project over the past couple of months, about which I hope to be able to share more soon. I am also in discussions with the Copyright Society of the USA about the next Copyright and Technology conference; we are […]

WIPO Releases Secure Content Timestamping Service

The World Intellectual Property Organization (WIPO) recently announced that it has released WIPO PROOF, a tool for verifying the date and time of a digital file, such as one containing a copyrightable work. For a nominal price of CHF 20 ($21), you can obtain a token–a small file–from WIPO that contains a tamper-proof timestamp with […]

Copyright Office’s Section 512 Report Finds the Balance Askew

Five years ago, the U.S. Copyright Office commenced a study on Section 512 of the copyright law, the section that defines limitations of copyright liability (“safe harbors”) for online service providers, arguably the most important part of American copyright law in the digital age. Last week the Office released the results of the study in […]

Wiley Reaches Detente with Academic Social Network ResearchGate

Academic and scientific researchers have their own social networks. One of the biggest differences between these services and LinkedIn or Twitter is that researchers are interested in other researchers’ content as much as they are in social interactions. This has led academic social networks to find ways of getting users to post their papers and […]

The Internet Archive’s Copyright Emergency

Sometime last year, I was chatting about digital first sale and e-lending with a highly respected copyright lawyer, someone who is deeply knowledgeable about those issues. We were talking about the library community’s longstanding attempts to get a lending right for digital files in law. We noted that those folks have apparently given up on […]

Plugging Another Analog Hole in Music Royalties

While many areas of the music industry have digital infrastructure in place to facilitate royalty payments more or less accurately, a few analog corners remain. These are for music uses where royalties are calculated based on incomplete information using statistical samples and other “black box” methods. One of them is terrestrial AM/FM radio: performance rights […]

STM Publishing’s Identity Management Problem

Most of the talk about copyright and technology issues in the world of scientific, technical, and medical (STM) publishing these days focuses on two issues: Open Access and Sci-Hub. For STM publishers, these represent the Scylla and Charybdis of losing control over copyrights. Open Access is about replacing paywalls and traditional copyright licensing with Creative […]

Journal Article on Blockchain and Music

I have an article in the latest issue of the peer-reviewed Journal of the Copyright Society of the USA, “The Future of Blockchain Technology and the Music Industry.” The article explains the basics of blockchain technology, then evaluates proposed applications of the technology to music mainly by addressing the question of whether they solve known, current […]

Conference Coming Up January 15; Program Changes

A reminder that our eleventh annual Copyright and Technology Conference is coming up on Wednesday, January 15 at Fordham Law School in NYC, co-produced by the Copyright Society of the USA and sponsored by the good folks at the Fordham Intellectual Property Institute. Online registration is still available. I’d like to announce a couple of […]

EU High Court Rules Against Digital Resale; We’ll Talk About This at the Conference

This week the Court of Justice of the European Union (CJEU) issued a landmark ruling that digitally downloaded files are not subject to exhaustion (the EU equivalent of first sale in U.S. law). This means that consumers don’t have the right to resell (or give away, lend, or rent) ebooks and other digital files. This […]