Canada has introduced legislation to create major reforms in its copyright law. Bill C-32, the Copyright Modernization Act, had its first draft read in Parliament last week. There is an excellent summary of it on the blog of Barry Sookman, one of Canada’s leading digital copyright attorneys.
A study of this bill should be especially interesting to copyright geeks in the US who want to get a glimpse into how other sophisticated copyright systems are evolving in response to the digital age. (Sookman’s summary is especially worth reading because the bill itself is presented as a series of amendments to the existing Canadian copyright law rather than as a standalone document. And let’s face it: Canada’s two-column bilingual format for legal documents is a little hard on readability.)
This bill shows that Canada, like many other technologically advanced countries, doesn’t currently have the same degree of complexity that the US has reached in copyright law. Complexity can be a good or bad thing — with the latter more likely as a result of what Sookman aptly calls “unintended consequences.”
Part of what Canada is doing with C-32 is falling into line with the two major international copyright treaties, the WIPO Copyright Treaty (WCT) and WIPO Performances and Phonograms Treaty (WPPT). Otherwise the draft legislation takes some ideas from US and French copyright laws and adds some innovations of its own.
WCT compliance in C-32 includes provisions criminalizing circumvention of DRM systems, like DMCA 1201 in the US, and allowing certain types of uses under Fair Dealing, such as parody and criticism. At the same time, Canada is not looking to adopt a provision similar to the US 512 “notice and takedown” law, in which a content owner can ask a service provider (e.g., website or file-sharing service) to remove content from its network or service, and if the service provider does so, it escapes liability for infringement. Canada instead proposes a “notice and notice” system, in which the service provider’s obligation is simply to pass the notice on to the uploader of the content.
C-32 also introduces a secondary liability provision, i.e., a set of principles by which people or companies can be held liable for other people’s actual infringements because they helped or benefited from them in some way. The language in the Canadian bill resembles a roll-up of the US contributory and vicarious liability theories as well as the inducement theory established by the Supreme Court’s Grokster decision of 2005.
Perhaps the most controversial part of C-32 is its treatment of “Non-commercial user generated content” content. This provision is intended to allow “mash-ups” and personal uses of content, such as background music that happens to be playing during your YouTube video of your kids. Such content is given broad exceptions from infringement liability: essentially it need only pass the equivalent of the US fair use test of not having a negative effect on the market for the original work. User-generated content that contains copyrighted material need not pass the “transformative” test commonly used here.
Canada has been grappling with copyright reform for years, and this draft of C-32 is likely to be far from the end of that process. But it’s an interesting piece of legislation to look at in light of changes that need to take place to a system that becomes increasingly ill-suited to the digital age as time goes on.
Has this been passed yet, or is it still in the process of being pushed through?
My understanding is that it was just given a “first reading” in Canadian Parliament. There is potentially a long way to go before it — or some version of it — is enacted into law.
the word from the rights holders in UK last week is that its a proposal and has a long way to run
what about 2D/3D modelling meshes and other meshes being produce by 3D modelling softwares (like the free Blender modelling software)?
how are theses protected under copyright law?
if you add a picture or a document to a web site or in a forum for instance
are theses pictures or images automatically protected (copyrighted ) like it is in the USA?
and if no warning is shown is it automatilcally public domain or not ?
Thanks and happy blendering
My understanding is that the output of modeling software is protected under copyright. Furthermore, Canada is a signatory to the WIPO Copyright Treaty of 1996, which provides for automatic copyright registration. It does not matter whether or not a copyright notice is attached to a work; it is assumed to be copyrighted unless explicitly stated otherwise by the owner (e.g. the owner contributes the work to the public domain or attaches a Creative Commons license to it) or unless the copyright has expired.
sorry to ask but what do you mean by output?
does this include all meshes model 3D or 2D
the rendered ouput
or rigging of the model
or animation curves used to animate a scene
all the materials and textures applied to a model
Cause usually in the general description of copyright or free licenses there is no mention about all these differents parts of a 3D model!