My latest piece in Forbes is about the new breed of subscription music services that offer lossless compression, in order to appeal to the audiophile crowd. Two of them recently launched in the U.S. market: Tidal and Deezer Elite. I speculate about whether this development will finally lead to an era where top audio quality has finally caught up to low cost and convenience. As always, I welcome your feedback.
Search
Join 1,284 other subscribers
Subscribe to RSS Feed
Recent Posts
Categories
Asia-Pacific Blockchain Book reviews Business models Canada Conditional Access Copyright Monitoring Devices DRM Economics Enterprise Rights Management Europe Events Fingerprinting First Sale / Exhaustion Games Images Japan Law Libraries Mobile Music New Zealand Podcasts Publishing Rights Licensing Services Standards Technologies UK Uncategorized United States Video Watermarking White Papers
Most Popular Articles
Recent Comments
Bill’s Music Blog
Bill's Musical Box:
Musings on music, including rediscoveries of rock music from the early-mid 1970s -- music I knew back then but didn't really grow up with. Everyone has to have a music blog, right?
Musings on music, including rediscoveries of rock music from the early-mid 1970s -- music I knew back then but didn't really grow up with. Everyone has to have a music blog, right?
Archives

Copyright and Technology is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.